Michalis Karaiskos was born in 1979 in Paphos (Cyprus). He studied Mechanical engineering in Higher Technical Institute of Nicosia graduating with a bachelor diploma. In 2003 he introduced in the Athens School of Fine Arts where he studied Painting in Tassos Christaki’s Painting workshop. At the same time, he participated in 3 elective courses: sculpture, etching and traditional techniques in Byzantine Painting. In 2008 he graduated (ASFA) with distinction. Also, he did a three-year term studying in the “Theory of Music” with the music composer Ch. Kanas and obtains a distinction’s degree from the Athens Conservatory.
He lives in Athens since 2002. He participated in many group exhibitions in Greece and abroad. His artworks belong to many private and public collections.

Apostolos Karakatsanis was born in 1970 in Germany. He studied painting and sculpture at the Athens School of Fine Arts. He has taught at the Aegean University (as a lecturer) and other educational institutions. He has presented his work in solo exhibitions at the AD Gallery and at the Ermoupolis Cultural Center in Syros, as well as in group exhibitions such as 'During the eclipses art mates ', CAMP Zoo/Aegeanale, Mykonos/Tower-tower, Bazeou Tower, Naxos/Nightwatch, TAF/the island, Cosmos of Culture/Emergency Room/Kodra Festival/Serendipia: Del Pop Art al Expresionismo Figurativo, Galeria Ektectica, Madrid.

Ioannis Lassithiotakis was born in Heraklion, Crete in 1956. He first studied at the Vakalo Art & Design College (1973-1976) under P. Tetsis and Y. Valavanidis. He continued his studies at the Accademia di Belle Arti in Florence (1976-1978) under Fernando Farulli.
Since his first solo exhibition (Dada gallery, 1981), and by the mid-1980s, his works revealed a search for an artistic language of a neoexpressionist orientation, combining painting with collage or polyester sculpture constructions, usually anthropomorphic. The next stages of his career reveal an ongoing research on the visual media and the stimuli that dictate his themes. For a while he returns to a two-dimensional painting with abstract elements, and then focuses on the concepts of space and time (Weathervanes, 1993; Tales of the Wind, 1996), once again utilizing space and inserted material. He introduces existential references in his painting (Subconscious games, 1999; Imaginary autobiography, 2002), or draws inspiration on Persian miniatures (The Prince’s mask, 2003).
Through all these explorations, he is eventually led to a painting focused on human presence, with images based mainly on photographs of familiar faces. Through a distinctive use of colour, he manages to emphasize the sometimes psychological, and other times metaphysical aspect of figures (Days on earth, 2009; Faces, 2012). Since 1983, he teaches at the Athens Technological Educational Institute (TEI). He is currently Associate Professor in the Department of Graphic Design of the University of West Attica.
He has presented his work in solo exhibitions in Athens, Patras, Thessaloniki and on Crete. He participated in many group exhibitions in Greece and abroad (Australia, Belgium, U.S.A., Japan, South Africa), counting most notably the 2nd Biennale of Young European Artists of the Mediterranean (Thessaloniki, 1986), the Osaka Triennial (Japan, 1996) and the 4th International Biennale of Sarjah (U.A.E., 1999), where he won the 2nd painting prize. A monograph on his oeuvre was published in 2007.

Greek, architect and photographer, born in Istanbul, lives and works in Athens. She studied Architecture at the Aristotle University of Thessaloniki. She is working on long-term photographic projects examining mainly environmental, social and urban issues.
Her photography works have been selected and presented in Greek and International Festivals such as Photometria, Ioannina Greece in 2015 & 2018, and Encontros Da Imagem, Braga Portugal in 2017 where 'Dark Tree' was finalist project of the Discovery Award. She has also
participated in several solo and group exhibitions, while her works have been included in print and digital editions.